Marche's friends are organizing an afternoon of educational experience of those rom e. .. who does not. If you are in the area past ...
di Maurizio Braucci
Prima di "Gomorra", già per i film "Terra di mezzo" e "L'imbalsamatore", Matteo Garrone aveva girato in altre aree difficili della Campania, mosso da una forte determinazione ad approfondire i mondi che intendeva raccontare. Con il film tratto dal bestseller di Roberto Saviano, Garrone ha continuato un metodo di lavorazione che gli è proprio, anche se questa volta con un progetto più complesso. La fase di preparazione di "Gomorra" è durata tre mesi ed è stata caratterizzata dalla ricerca di luoghi e dalla apertura di canali di connessione che permettessero di ambientare il film negli stessi territori raccontati dal romanzo. Nel quartiere This led to employment Scampia film for nearly two months, one of the buildings of Sails, the yellow, but without the usual protection of the police.
The success of this extremely realistic goal had a number of reasons, from people, and I quote here the photographer Mario Spada, the members of the association "About Roma ... and who does not" Arrevuoto and those in the design stage, who have mediated with the inhabitants. It is true that until the day before would not have been possible, due to the presence of the squares of a drug ring, enter one of the sails, so as sure as the day on which there has been given to the first take, that vast and notorious building has been transformed into something amazing. Were some of the inhabitants, including the drug dealers themselves, to accept in exchange for Garrone and his involvement as actors or as suppliers of their homes for the set.
course, 30 years to resolve the contradictions do not a movie, and if the shop is still kept 'a bit more in there "during the filming, at one point appeared also Camorra boss, that is, those splits which had won the war against the Di Lauro in 2005 and who were on the lips of many local youths. "The division" was in fact a sound applicant and the memory of that war was a myth or a nightmare for the inhabitants of Scampia, the film tells the story and everyone has finished to put a piece of his experience. At first there was fear of the locations for the project with the name of Saviano but soon it became clear that that caution was unnecessary. Saviano in Scampia was so criticized, but not hated. A young man who had fought in the system told me that 'Camorra Many pride themselves on being mentioned in the book and then he's got the real problem with the Casalesi. On the eve of shooting, where the Camorra have come to learn, have received word for word the report of the situation, and simply felt more convenient to leave it to the point that some of them were to wander onto the set. There were also tense moments, like when Lot P, as he was ready to turn, access was suddenly banned by drug dealers. Or when the butcher who had been asked the store as a set, before a change of program director, however, protested vigorously and was threatened by some extras for the film. Yet, employment Scampia film has had so many positive aspects, starting with the fact that the crew could see how many good people there lived in a hostage degradation tolerated by the institutions. The sets were always outside chance of curiosity and debate, sometimes heated because someone claimed to know better than another; the crowds of children were from continuous background, and often their irrepressibly had to repeat some or scene has become the scapegoat of the nervousness of the adults. For this reason the operators of "Who rom .. and who is not" were constantly busy off the set to organize games for them. And, again, Joseph, eight years, waiting for the crew to finish turn in the apartment of his parents, wrote on the wall "I live in a movie." In fact, during those weeks the reality and fiction are confused. Daniel and Dalia, hairdresser and make-up of the set, during breaks is often found to redo the look of the sails and the young, the abundance of talk, you understood how precious break the social isolation in which they were held.
Even misunderstandings abounded: addicts, unconscious, slipped often among the extras in a scene of drug dealing. Once an actor to tell him he had to chase one who had received gypsum and coca. Before shooting the scene where the kids lead the Roma Tir - which they did for real, being early for drivers - Toni Servillo Garrone explained that he was the fixer who paid them to let him make the transport of toxic waste and, in fact, the end of the shoot, the ones they really wanted to go Servillo to get their money. The scene at the mouth of the Volturno, where Marco and try Pisellino weapons, has been characterized by an accident: the boat that explodes, in fact, does so at the wrong time, surprising the same actor who was shooting at that time. The astonishment on his face you see is real, and as someone said, is the symbol of the wonder with which the world of Garrone's film "Gomorrah."
Today, after more than two years after the shooting, the yellow sail is almost entirely uninhabited and in a state of further deterioration. Many families have moved in the residence assigned by the city, others are gone. The movement of children is not so vibrant, there remain very few who are around when it's hot in diapers and no shoes in the corridors immortalized by the movie, climbing on the railings to dizzying heights. The association "About Roma ... and who is not" occupied housing, transforming it into a playroom. The space is now full of color, has a painted decoration on the walls from the boys and they will wander like a dream home. From Germany, where they saw the movie and found the neighborhood, three young artists moved to Scampia and are filling up with giant floral designs sides of Sails. The remainder of the lots in the notorious, nothing has changed, poverty and human misery have remained the same.
(from the Express October 14, 2009)
Cari amici,
quando sette anni fa, abbiamo costruito la baracca insieme ai rom, nella nostra testa doveva diventare uno spazio pubblico, aperto, di incontro tra comunità.
Negli anni questa idea è diventata una realtà; tante, e non è facile elencarle tutti, sono state le attività, i laboratori, gli incontri, i momenti conviviali.
Le nostre azioni e riflessioni confluiscono in una ricerca continua di senso politico e pedagogico, sia nella città che fuori, da qui sono nate esperienze quali, il comitato spazio pubblico, il progetto teatrale Arrevuoto, ed idee sull'abitare (linee guida per il superamento dei campi rom, la partecipazione e l'audodeterminazione Roma (Roma Assunen Romalen the group). Today, all this work is being challenged by the Decree of the Minister Maroni and security policies for the construction of municipal and regional areas equipped for only rom that in itself is clearly discriminatory and ghetto, which are not in any account of the enormous strides facts in terms of local and international intercultural research and practical relations between Roma and Naples in the territory of Scampia.
To continue to build together the actions and thoughts we invite you to begin working with us this year complex and critical
Votta 'and Mman, Votta' and Mman
Saturday, October 3 from 10:00 resume their discussions in the Scola Jungle, Via Cupa Perillo pink field, Scampia Naples!!
accommodation and cleaning of outer space, the garden planning and design of the furniture
!!!... lunch together and then continue the work!!
activities are to design a lot ....
flock / i!!
Programme:
From mid-October, Arrevuoto, theater workshops for teens
For boys and girls "out of school", recreational expressive workshops, carnival, cologne
Adult literacy courses, courses with women.
To reach us please contact Mark 3382973937 - 3392784528 Daniela - Alessandra 339405092 or via email: @ gmail.com chirom.e.chino
Una festa per l'intercultura and dialogue among peoples
Friday, September 25, 2009
16.00
c / o Square station Circumvesuviana "Bartolo Longo"
Ponticelli (NA)
The day's program includes:
- 16:00 hours: Intercultural animation workshops for children in the area;
- hours 19:00: The performance of the band Baleno and Malamurga of Rome;
- at 20:00: LINGUAFRANCA concert music project with musicians of mixed language groups Laudari Din Rosora (Romania), Marzouk Ensemble (Tunisia / Italy), The Mescla .
The event will, through the artistic language, to foster mutual knowledge and the meeting between the various components of citizenship through the development of cultures of origin and be the engine for the creation of a network that aims to promote reflection on issues concerning the right of citizenship, migration, carrying out his plan of life for all individuals in an intercultural perspective.
Participating: CPS / Promotion and Community Development, LTM / Laity Third World Manitese, N: EA PeaceGames UISP, Un ponte per ..., Peace and Human Rights Archive - Campania Region, the associations and social cooperatives: Arci Movie and Atelier King Midas, Casa Mia - E. Nitti, who and who is not Roma, Le Kassandra, FREE, The carpet of Iqbal, borderland; Caritas Jumpers - S. Parish Maria delle Grazie in Felaco, A3I, Refugees Naples, Punta Corsara - Fondazione Campania dei Festival, Coordination No Incinerators Ponticelli, Old Mammoth Place, Orpheus - Centre of Popular Culture Mescla Cumano, Insef - Teachers without Borders, Schools of the territory of Ponticelli.
also participates in the Municipality VI - Ponticelli, Barra, S. John Teduccio to the City of Naples who helped organize the event.
will offer a tasting of cous cous , by Ouango Kiswensida Judicael (Burkina Faso).
The Circumvesuviana provides a special race at 22.30.
By prayer spread .
inf @: CISS, 081/5571060, napoli@cissong.org
| di Domenico Pizzuti |
Le "politiche"- in senso anglosassone – in generale ed in particolare quelle di integrazione ed inclusione sociale dipendono dalla definizione delle situazioni da parte degli attori istituzionali e sociali. Non significa la stessa cosa definire una popolazione "minoranze senza territorio", portatori rights and duties recognized by international standards, "nomads" stereotype to be checked or "Roma" are not recognized as a minority language in Italy, "ethnonym" in that language, "Romani" means "man" and not carriers of universal rights. The website of the Ministry of Interior uses them interchangeably, but not the order No. 3678 President of the Council of Ministers of 30 May 2008 containing "Urgent measures to address civil protection a state of emergency in relation to the Roma community settlements in the territory of regions of Lombardy, Lazio and Campania, that following the census conducted in the three regions, at least numerically not proved that. (The total Nomads surveyed from the Prefecture of Naples is equal to 2784).
Together with other sociological categories that define the condition of these Roma community in the area (marginalization, ghettoization, segregation, exclusion, stigmatization), is also useful for the purpose of project evaluations and proposals for relocation of the Roma community in the social space category sociological "social distance" taking back some recent sociological research, which has a key role in the production and organization of social space. The construction of social groups - and therefore the relationships are established between them - is the result of processes of distancing, which can open or close relationship between the subjects, and produce or not a certain level of distance between them. "For social distance means the 'unavailability and the close relationship - of varying intensities - a subject in relation to other perceived and recognized as different on the basis of their amenability to social categories. It is the result of dynamic factors of the plot located on three different dimensions of space: physical, symbolic and geometric (V. Cesareo, social distance. A study in Italian urban areas, FrancoAngeli, Milan 2007, 11). The physical factors are related to the actual location of the subject territory and places where it takes place in their daily lives. In the case of the Roma and Romanians suburbs periphery as in the fields of Scampia and Secondigliano, or adjacent to the cemetery Poggioreale (St. Mary of the plant), or abandoned factories as being Magdalene or under bridges in the hinterland of Naples. The factors consist of the symbolic categories that the subject, together with those already crystallized within the culture in which it is inserted, builds and uses the knowledge of the social recognition and identification of the other, in our case nomadic Roma, extra- , new EU citizens and so on. The geometrical factors (related to the distinction between center and periphery), are the points of contact between physical space and symbolic space. The different location in the urban space of so-called "camps" also close to those of Scampia and Secondigliano, may be the consequence of a persistent social segregation that does not play a secondary role in the same physical organization of the city. .
E 'clear the importance of this category of "social distance" for the evaluation of projects and proposals regarding the relocation of the Roma community in the social space of' the Neapolitan area, in reference to the contribution or not to overcoming the social distance between the indigenous inhabitants and aliens. And at the same time serves to reveal not only the interests of institutions and organizations, but the symbolic and cultural factors underlying these proposals and policies are to be taken to the "civil protection" in the full sense of community Rom sul nostro territorio.
Perciò ben vengano proposte che mirano a diminuire la distanza sociale con idonee progettazioni di riqualificazione urbanistica, come "Linee guida e progettualità integrata per il superamento dei campi rom a Scampia, e la riqualifica dell'area indicata all'art. 132 norme di attuazione Dpgr 323/04 Variante Prg e zone limitrofe", presentato dall'Associazione di promozione sociale "Chi rom e…chi no" Onlus nel convegno di ieri "I rom tra stato di diritto e stato di eccezione. Proposte di trasformazione urbana". Prevede che l'area in questione, come da piano regolatore, sia destinata al vantaggio del quartiere e dell'intera città e dotata di servizi e strutture necessarie per la crescita ed il miglioramento the living conditions of all people, primarily those living in the neighborhood, making the coexistence of Roma and Italian.
political culture also Neapolitan, beyond the usual practice and policy-emergency and for no more democratic participation of actors involved or interested in the same social policies, it needs new ideas that is of cultural innovations that translate into proposals feasibility studies and the political will to implement them. It takes our civilization and humanity!
As with many of Toyota's vehicles, the Prius has become a standard-bearer in its segment. While many automakers have yet to even develop a gasoline-electric hybrid vehicle, Toyota is already on its second generation of the Prius . This four-door hybrid has become a hit with consumers because of its stellar fuel economy, relatively uncompromised driving and acceleration characteristics and reasonable price.
The Toyota Prius (its name comes from Latin and means "to go before") exists as a partial solution to the automobile's problem of tailpipe emissions. The Prius, like other hybrid vehicles, has a special powertrain that combines a gasoline-fueled internal combustion engine with an electric motor. This powertrain, along with other advanced features, allows the Prius to deliver higher fuel economy and lower emissions compared to regular cars.
Due to its popularity and relatively long sales history, Toyota's original hybrid car is a strong candidate for a shopper interested in a used hybrid vehicle. So far, it seems Toyota's reputation for reliability and durability is holding true for the Prius. Early concerns about long-term durability have turned out to be mostly unfounded. However, potential buyers of a used Prius should take extra care during the research process. As the Toyota Prius is quite complex, future repairs and part replacements could be quite expensive.
The current and second-generation Toyota Prius was introduced for the 2004 model year. It features a four-door hatchback body and can seat up to five people. The car's hybrid powertrain features a small 1.5-liter gasoline-fueled engine that's used in conjunction with two electric motors and a special planetary gearset that functions as a continuously variable transmission. The result is adequate power, high fuel economy and reduced tailpipe emissions.
Under full acceleration, both power sources work together to provide maximum oomph. But under lighter load conditions such as stop-and-go traffic, the Prius alternates between the two, often running on battery power alone. A regenerative braking system converts energy normally lost as heat into electricity to charge the car's battery pack. The gas engine produces 76 horsepower and 82 pound-feet of torque, while the electric motors generate the equivalent of 67 hp and 295 lb-ft of torque.
In most other ways, the Toyota Prius functions like a regular family car. The interior is comfortable for four adults and comes standard with most modern convenience features. On the Prius's dash, there's an information display that can be used to show the operational status of the hybrid system. The vehicle's hatchback design provides extra versatility in terms of carrying items, and the rear seat can be lowered flat.
The 2009 Toyota Prius is an impressive technological feat. It offers much better fuel economy than conventional cars and radically less environmental impact. We wouldn't have expected the pairing a small gas engine with a battery-powered motor to create a social phenomenon, but that's what the Prius has done, and it continues to be in demand.
The Prius is the best-selling gas-electric hybrid in the United States and in the world. Toyota sold just 5,600 in 2001, but annual sales expanded to 54,000 in 2004 and 108,000 in 2005. Sales for the first quarter of 2008 were up from the same period in 2007.
Introduced as a 2001 model, the Prius was redesigned for 2004 and updated for 2006. The 2008 Prius gets some new options, notably leather upholstery and a leather-wrapped steering wheel.
We find the Prius to be a comfortable car that's easy to like and live with. It's roomy, with adult-size back seats and lots of cargo space. It's pleasant to look at, with sleek, futuristic styling, easy to spot in a parking lot. In short, we like the Prius.
The EPA ratings for the 2008 Prius are 48 mpg City, 45 mpg Highway, and we're guessing everyday fuel economy for most owners should fall somewhere between 40 and 50 mpg.
While the Prius excels at fuel economy, its performance in terms of emissions is even better. Prius is certified as an Advanced Technology Partial Zero Emissions Vehicle (AT-PZEV); meaning that it meets the Super Ultra Low Emissions Vehicle (SULEV) exhaust standard; plus a zero evaporative emissions standard, a 150,000-mile durability demonstration, and an extended emissions system warranty. That makes the Prius an excellent choice for buyers who want to reduce air pollution and America's dependence on oil. The Prius isn't cheap, but it costs less than a lot of other vehicles that are commonly promoted as family transportation.
It's important to understand that the Prius is not an electric car. You never plug it in. And there's no worry about driving beyond the range of the battery. A small, highly efficient four-cylinder gasoline engine charges the battery as you drive. No special knowledge is needed to drive the Prius. It works just like a regular car: You get in, you twist the key, you put the lever in Drive and you go. When it gets low on gas, you fill it up. The test procedure used until recently by the Federal Environmental Protection Agency exaggerated the fuel efficiency of all hybrids, but the EPA has revised its test procedures to more closely simulate modern driving habits.